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Title: Confluence

Artists: Sooyun Kim & Kenneth Weiss

Composer: J. S. Bach

Producer, Editor, Mixer, Mastering Engineer: Adam Abeshouse

Recording dates: August 28-31, 2023
Recording venue: Elmwood Road

Instruments: Flute, Harpsichord

Genre: Classical 

Release Date: June 27, 2025

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Album Cover Photographer: Matt Dine

Singles Covers: Friedensreich Hundertwasser

Videographer: Pablo Corradi

Video Location: D’Amico Institute of Art

Label: Musica Solis 

Executive Producer: Seunghee Lee

EAN/UPC: 198937922103

Catalog Number: MS202506

Configuration: CD 

Total Time: [70:03]

 

Sooyun Kim

Praised as “a rare virtuoso of the flute” by Libération, Sooyun Kim has established herself as one of the rare flute soloists on the classical music scene. Since her concerto debut with the Seoul Philharmonic Orchestra, she has enjoyed a flourishing career performing with orchestras, including the Bavarian Radio Symphony, Munich Philharmonic, Munich Chamber Orchestra, and Boston Pops. She has been presented in recital in Budapest’s Liszt Hall, the Kennedy Center, Sibelius Academy in Helsinki, and Kobe’s Bunka Hall. Her European debut recital at the Louvre was streamed live on medici.tv. A winner of the Georg Solti Foundation Career Grant, she has received numerous international awards and prizes including the third prize at the Munich ARD International Flute Competition. She makes frequent appearances at music festivals like the Music@Menlo, Spoleto USA, Yellow Barn, Rockport, Olympic, Charlottesville, Ravinia, and Tanglewood festivals. Her special interest in interdisciplinary art has led her to collaborate with many artists, dancers, and museums around the world such as Sol Lewitt, the Isabella Stewart Gardner Museum, and Glassmuseet Ebeltoft in Denmark. An Artist Member of the Chamber Music Society of Lincoln Center, she studied at the New England Conservatory under the tutelage of Paula Robison. In addition, she studied baroque dance with Melinda Sullivan. She teaches summer courses at Orford Musique and is currently Assistant Professor of Flute at the University of Cincinnati’s College-Conservatory of Music. Kim plays a rare 18-carat gold flute specially made for her by Verne Q. Powell Flutes.

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Kenneth Weiss

Born in New York, Kenneth Weiss attended the High School of Performing Arts as a pianist before discovering his passion for the harpsichord and the lesser-known repertoire of the 17th and 18th centuries.  A former student of pioneer Gustav Leonhardt, he is based in Paris, France. Kenneth Weiss has worked as a soloist, accompanist, vocal coach, opera continuist, chamber musician and conductor performing extensively in Europe, North America and Asia. The New York Times has praised his performances as “ear-catching, graceful and edifying.” A regular performer with the Chamber Music Society of Lincoln Center, Kenneth Weiss has received high acclaim for his recordings of Bach’s Goldberg Variations, The Art of Fugue, the complete  Well-Tempered Clavier, Rameau opera and ballet transcriptions, several Scarlatti albums, and two recordings devoted to Elizabethan keyboard music: A Cleare Day and Heaven & Earth. Weiss has taught at several prestigious music schools, including the Juilliard School in New York, the Norwegian Academy of Music in Oslo, and the Geneva Haute Ecole de Musique de Geneve. He is currently a professor of chamber music at the Paris Conservatory.

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Confluence is my debut album—J.S. Bach’s Six Trio Sonatas originally written for the organ, reimagined for the flute and harpsichord. The original sonatas feature two melodic voices and a bass line, with the organist handling all three parts. Our challenge and joy was in discovering how the flute and harpsichord could capture that unity, creating the sound of a single expressive voice. Harpsichordist Kenneth Weiss and I first crossed paths more than a decade ago as colleagues at the Chamber Music Society of Lincoln Center. What began as a shared curiosity blossomed into a profound musical journey, deepening both our understanding of these masterpieces and our own instruments. Bach's genius lies in his adaptability—he often revised his own works for different settings. His music is not only masterfully crafted but also deeply moving. It felt completely natural for us to immerse ourselves in these sonatas, and we hope listeners feel that same sense of wonder in Confluence. -Sooyun Kim

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